Monday, January 27, 2014

The Grand Finale!

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Monday, January 27, 2014 



 God has made us what we are.
He has created us in Christ Jesus to live lives filled with good works
that he has prepared for us to do."
Ephesians 2:8-10 (GW)

The following is excerpted from the Afterword of Unfinished: Believing is only the Beginning.   I hope you read it.  It’s the Grand Finale of the book, a great picture of the Great Calling and Adventure to which each of us is called.   It’s followed by a wonderful video, but you need to read his compelling lead up to it.   I hope and do believe that we as a church have been advanced in our service to the King, Jesus, through Richard Stearns’ book.   Let’s finish strong by reading then watching an incredible picture of the Kingdom of God.

 Flash Mob

I want to leave you with one final thought – a striking metaphor of sight and song, a beautiful picture of what God is calling us to be and to do in our world.  A few days back my friend Leighton Ford sent me a link to a remarkable video on YouTube.  Leighton promised me that it would bring me joy . . .and it did.  If you can, watch the video now or right after you have finished reading, but please don’t miss it. (Please scan the image above to watch the video, or go to the web address:  “Son Sabadell Flashmob”  YouTube, accessed September 20, 2012,  http://www.youtube.com/watch?v=GBaHPND2QJg .  The flash mob video captured something quite singular and compelling.  On May 19, 2012, the Valles Symphony Orchestra, the Lieder, Amics de l’Opera, and Coral Belles Arts choirs transformed a city square in Sabadell, Spain.

I believe God is calling us to sing and to play – sing and play his amazing song of love, forgiveness, and transformation in every city square and in all the nations of the world.  He has equipped each of us with instruments that only we can play, and he has given us his voice.  He bids us to go, to join together and sing and play the good news of his salvation.

The video begins when just one lone tuxedoed man appears in a busy city square and quietly starts to pluck out the notes of Beethoven’s Symphony No. 9, better known to many Christians as the majestic hymn “Joyful, Joyful, We Adore Thee.”  At first no one notices.  Then some children step closer to watch the curious sight.  A few seconds later a woman playing cello walks up and joins him.  And the two of them play the song.  Then a bassoonist steps out of a nearby door, followed by two people with violins.  The music grows in strength and power.  A crowd begins to gather:  children, shoppers, business folk, a couple holding hands.  A young child climbs a lamppost to get a better look.  More musicians join, coming from different buildings and doorways around the square – now twenty, then fifty, each with their own instrument, all playing the same lyrical notes.  Joyful, joyful, we adore thee.  Smiles, laughter, cameras clicking, children hoisted up on shoulders, people pointing and crowding closer; a throng of people have stopped to watch and listen, drawn by the beauty of the music and oddness of the scene.

Then, out of nowhere, the conductor comes into view, lifting his hands and directing his players; all eyes are now on him.  Still more appear:  clarinets, oboes, flutes, and piccolos – trumpets, trombones, French horns, and drums – seventy, now one hundred.  People stop, cafes empty, and offices are abandoned.  The audience swells – men and women, old and young, clusters of children, mothers with strollers, loungers, and lovers.  There is something magical about all of this.  And then, just when it seems that the orchestra is complete, a mighty choir steps out of the crowd, surrounds the musicians, and lifts up the heavenly lyrics with soaring voices.

Joyful, joyful, we adore Thee,
God of glory, Lord of love;
Hearts unfold like flow’rs before Thee,
Op’ning to the sun above.

Children start to dance.  The hundreds of onlookers can no longer resist.  They, too, begin to mouth the words, sing the chorus, and lift their hands to the music.  The remarkable ensemble of talented musicians plays on, increasing the tempo, filling the city square with their sounds until, finally, the music comes to its magnificent crescendo, and the crowd erupts with praise and applause.

What beauty!  What grace!  How extraordinary.  What a picture for the church of Jesus Christ.  Bring your instruments, lift your voices, and join the King’s great symphony of love.  The world is watching and listening, longing to hear a new song, a different song, a song of hope.

Melt the clouds of sin and sadness;
Drive the dark of doubt away;
Giver of immortal gladness,
Fill us with the light of day!

This same song first began long ago in Bethlehem, when just one angel sang:

“Do not be afraid.  I bring you good news that will cause great joy for all the people.  Today in the town of David, a Savior has been born to you; he is the Messiah, the Lord.”  (Luke 2:10-11)

More angels joined this chorus, then more and still more – “a great company of the heavenly host  . . . praising God”  (Luke 2:13) and singing the chorus of God’s good news:

“Glory to God in the highest heaven,
    and on earth peace to those on whom his favor rests.”  (Luke 2:14)

Now the King invites you.  Come, drop what you’re doing, pick up your instruments, and come – into the cities and into the streets.  Join the great chorus.  The King calls his children, sending them into the world to play and sing.  Life up your voices and join in the great mission of the King. 

Mortals, join the happy chorus,
which the morning stars began;
Father love is reigning o’er us,
Brother love binds man to man.
Ever singing, march we onward,
Victors in the midst of strife<
Joyful music leads us Sunward,
In the triumph song of life.

 

He called you out of darkness
and called you into light.
He filled you with his Spirit,
put his song upon your heart.
He asked you to his banquet
and now . . . .
He bids you sing.

 

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